continuity.
I was about eleven years old at the time of Ananta’s betrothal. Mother was in Calcutta, joyously supervising the wedding preparations. Father and I alone remained at our home in Bareilly in northern India, whence Father had been transferred after two years at Lahore.
I had previously witnessed the splendor of nuptial rites for my two elder sisters, Roma and Uma; but for Ananta, as the eldest son, plans were truly elaborate. Mother was welcoming numerous relatives, daily arriving in
had found full expression in Lahiri Mahasaya.
His picture had a surpassing influence over my life. As I grew, the thought of the master grew with me. In meditation I would often see his photographic image emerge from its small frame and, taking a living form, sit before me. When I attempted to touch